Artist Gets High on 50 Drugs and Paints Self-Portraits—The Results Are Absolutely Insane!
In the realm of art, experimentation often leads to groundbreaking creations. However, few have ventured as boldly into the intersection of art and altered states as Bryan Lewis Saunders. This American artist embarked on a daring journey, consuming a different drug each day and capturing the experience through self-portraits. The outcome? A series of artworks that are as captivating as they are controversial.
The Genesis of a Radical Experiment
Bryan Lewis Saunders is no stranger to pushing artistic boundaries. In 1995, he committed to drawing a self-portrait daily, a practice he maintains to this day. However, in 2000, Saunders sought to delve deeper into the human psyche and its reactions to various substances. He initiated an experiment titled “Under the Influence,” where he ingested or inhaled a different drug daily and documented the effects on his self-perception through art.
A Glimpse into the Altered Mind
The self-portraits from this experiment are as diverse as the substances consumed. For instance, under the influence of psilocybin mushrooms, Saunders produced a wildly abstract and colorful image, reflecting the hallucinogenic nature of the drug. Conversely, a self-portrait created after using crystal meth showcased a more chaotic and fragmented aesthetic, mirroring the drug’s intense and disorienting effects.
The Highs and Lows of Artistic Exploration
While the experiment yielded fascinating visual results, it was not without consequences. Saunders reported experiencing lethargy and mild brain damage, leading to psychomotor retardation and confusion. These adverse effects prompted him to modify his approach, spacing out the consumption of substances over more extended periods and limiting himself to doctor-prescribed medications.
Beyond the Drug-Fueled Art
Saunders’ body of work extends beyond his “Under the Influence” series. He is also known for his performance art, poetry, and videography, often exploring themes of self-identity and human consciousness. His commitment to daily self-portraits has resulted in thousands of artworks, each offering a unique glimpse into his evolving self-perception.
The Ethical Debate
Saunders’ experiment has sparked discussions about the ethical implications of using drugs for artistic purposes. Some view his work as a profound exploration of consciousness and creativity, while others express concern over the potential health risks and the message it sends about drug use. Regardless of one’s stance, the series undeniably challenges conventional notions of art and the lengths to which artists might go to explore new creative realms.
Conclusion
Bryan Lewis Saunders’ “Under the Influence” series stands as a testament to the intricate relationship between altered states of mind and artistic expression. It provokes thought about the sources of creativity and the personal costs artists may incur in their pursuit of innovation. As with any provocative art, it invites viewers to reflect on their perceptions and the boundaries they believe should or should not be crossed in the name of creativity.
